Caroline AreskogJones' practice is grounded in the contingency of drawing, a speculative enquiry to pursue an interest in articulating something unsaid and unearthing something unknown, just out of reach. It is considered a method of archeology, a 'visual listening'.
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Evolving through considered and meticulous research, through processes of " field work" a series of responses slowly gathers through the transformative potential of materials and considerations of absorbed learning ::: a shift back and forth, sifting, folding, unfolding, enfolding, emerging and pausing. ​
The outcomes are an attempt to offer a 'perforated space' of fragility, echoing the uncertainty of ecology, deep rooted and hovering at the intersection of human states of being across an arc of time. ​
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The dialogue between what emerges as a series of works - on paper, from print or projection, 3D forms, natural materials or ceramics - widens as the placement and interaction of site
creates further relational perspectives and wider aspects of dialogue.
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After gaining a BA (1st class) Hons Fine Art at Central Saint Martins College of Art and Design and MA (Print) from The Royal College of Art in 2019, opportunities to grow a practice continue, including exhibitions, residencies, artist talks, writing and interdisciplinary collaborations.
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Caroline has a knowledge base from both contemporary dance and physical therapy, and this intimate knowledge of the interconnectedness between body and mind influences the decision making within her practice forming a fertile place of enquiry.
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